I make objects with dissimilar, contradictory materials. They are uncertain and ambiguous: hard and soft, balanced, but ready to fall. They might read as paintings. Ultimately, I’m drawn to the notion that we are complicated creatures, filled with contradictions. Of course, the work is informed by my personal oppositional forces too - including, but not limited to, for example, my feminist ire, and my reverence for the ways a leaf can curl.